Life Isn't Good, It's Excellent

david-robilliardDavid Robilliard was a poet and painter who lived from 1952 to 1988.

EATING OUT
You're like a potato.
You'd go with anything.

"David Robilliard was the sweetest, kindest, most infuriating, artistic foul-mouthed, witty, charming, handsome, thoughtful, unhappy, loving and friendly person we ever met.

Over the nine years of our friendship David came closer to us than any other person. He will live forever in our hearts and minds." Gilbert and George wrote the above on July 7, 1990. "Starting with pockets filled with disorganised writings and sketches, he went on to produce highly original poetry, drawings and paintings. His truthfulness, sadness desperation and love of people gave his work a brilliance and beauty that stands out a mile."

WAITING FOR NOTHING
We're all waiting for
Someone who never arrives
to brighten up our lives.

As poets come and go, David Robilliard arrived all too quickly, and went all too soon. He was discovered, promoted, and praised by the artists Gilbert and George (they described him as "the new master of the modern person"); their involvement alerts even the most casual reader to the presence, now twenty years absent, of a unique and unsettling talent. His poetry and art flabbergasted those in the establishment, since he had no formal training and cared little for tradition. Doing what he did with supreme panache, he felt no need to capitulate to their entrenched expectations.

FASHION
Is just a flash in the pan
When you're standing next to a naked man.

Robilliard's work was funny, ironic and sad, a cross between Jean Cocteau and Andy Warhol in the line of art, and Stevie Smith and Edward Lear in written ones. He, however, detested the comparison to "that dead French artist' (although it was a justified, if lazy compliment), his nature and wit being more closely aligned to the swagger and swerve of the playwright Joe Orton. His short, pithy poems have an air of irreverent Zen.

TIME OUT
The end of the day
the end of the night
the tap drips
the clock ticks. 

Were he American, David Robilliard would be revered like Basquiat or Kerouac; as it stands his fame is now largely European. In 1995 he was the subject of a massive retrospective of the kind afforded the likes of Cezanne and Turner, A Roomful of Hungry Lookd Looks at the Stedelijk Museum in Amsterdam, but since then his reputation has faded. His work, however, remains freshly arch and supremely funny. His approach was unique. He sent out postcards of his poems on a monthly basis, his envelopes stamped in distinctive red with his trademark phrase "Life isn't Good Its Excellent." He contributed to magazines, now sadly defunct, such as The Fred and Square Peg, but was roundly ignored by the mainstream poetry press.

INTENSE DESIRE
The thing that thrilled them
Was the thing that killed them.

Yet this enfant terrible of British art was born in the Channel Islands in 1952. He gravitated to London in the Seventies, worked on building sites, but was always writing and drawing. He met the painter Andrew Heard (1958-1993), with whom he shared a studio around the corner from Old Street Tube, now fashionable and expensive apartments. They were pioneers of the now trendy art district, London's equivalent of New York's Soho. Heard, in turn, led him to Gilbert and George. They recognized his unique talents and nurtured them, publishing his first poetry collection, Inevitable, in 1984. His paintings were bold and brash, a perfect combination of text and color. He had a New York retrospective at Hirsch and Adler in 1990. It proved a sell-out show.

FUCK OFF
Waking up next morning
By a sad and lonely person
Clawing at you
Oh how could I have? And the discomfort of the hangover
Makes you want to say
Please leave immediately
Give me a break
Don't stay for breakfast
You're irritating
My search for... Isn't loneliness a bore.

Like many gay men of the Eighties, Robilliard fell foul of HIV. Such a diagnosis was, in those days, terminal. He made no bones about his condition, and would introduce himself to strangers as "David Robilliaids." His work, which dealt previously with crushes, fun, and disappointment, took on a darker edge. He died November 3, 1988, Gilbert and George at his bedside.

MEMORY OF A FRIEND
A burst of tears
From all your friends
The end.

Robilliard still has a freshness which astounds. His friend, the painter and singer Holly Johnson, reflected recently, "It's important to remember David Robilliard as a pioneer, although inextricably linked to Gilbert and George by merit of their friendship and support of his work, he was one of the few artists living in the now Artist Disneyland of Hoxton before it was a glimmer in the eye of the Trendy White Cube Generation. The draw to the area was as much G&G as it was The London Apprentice, a louche gay pub with dark room tendencies, not photographic dark rooms as could be found in his friend and photographer Alistair Thane's studio but a sexual dungeon of desire. "Expectations," a leather fetish wear shop, was the only commercial premises I can remember operating in Hoxton Square. The streets of cheap warehouse studio space before the boom echoed with a silent emptiness. This was the backdrop to David's daily life and times. A place where the quick witted and charming -- without gushing -- David could recruit or procure the urban male models for G&G'S feverish camera. Living together with the naughty cherub of Andrew Heard, a prolific painter of Dream Cityscapes and childhood memories, there were shared obsessions with pop music and culture, obscure vinyl was pondered over from Agnes Bertaille to Nightmares In Wax. It was "Black Leather" by the latter that they asked me to identify when I visited them circa 1988 after a pop star photo session with Alistair Thane just around the corner. I had earlier purchased Inevitable in a bookshop on The King's Road and became an instant fan of the intensely modern and unique poems and line drawings within. Andrew was working on a large painting of The Munsters and a cast of Carry On characters, David wore jeans and a blue sweatshirt silk screened with Andrew's figures, a relaxed bohemianism in the bright white space. David pissed into the toilet while continuing the conversation in plain view from the waist up in the open plan kitchen cum bathroom cum studio with an awareness that was part openness, part shock tactic. I felt immediately Andrew's optimism and David's wry cynicism were two sides of a coin that would be well thumbed. Sadly, as is the way of the art world, it has taken their untimely deaths, works lost to European art dealers and hidden in archives, for it to be unearthed by the cultural metal detector."

Robilliard deserves the final word on his own brief sojourn. His work deserves to be better known, and though much has been lost to legal wrangling, the inevitable legacy of many artists, there is enough out there to illustrate his talent, unique and irreplaceable.

THE PEOPLE OF THE '90s WILL BE JUST THE SAME
It's funny isn't it 
all you've got is the natural urge
to lay down with someone 
and say hello
in a very personal way
and yet life seems to offer
many other alternatives.

- Robert Cochrane

cochrane.jpg

Mr. Cochrane is a poet and writer living in Manchester, England. His work has appeared in Mojo, Attitude, and Dazed & Confused. He has published three collections of poems, and Gone Tomorrow.

Big influence

I got into him by chance by a ex-friend. Has defo proved a big influence on my own work. I love the shortness and the simple nature off his poetry, which I know from writing poetry for over 20 years is not as easy as it looks. A great talent; wish I could have met him.

David Robilliard

David was a prolific writer, which was based on his observations of human interaction, which included family and friends.

He was sometimes misunderstood, but this never stemmed his artistic temperament. Thankfully he continued to write and paint right up to his very untimely death.

I know that David would have been very humbled and intrigued that people still find his work appealing and amusing.

He is a great poet

He is a great poet and he's able to make beautiful poems. Actually, he has motivated me to explore more of his work.

David Robilliard was

David Robilliard was mentioned to me by a tutor at art school, ten years ago. I forgot the name, but had the impression of a number of his paintings locked in mind. It was only coming across him mentioned in a blog today with some examples that I could find out who he was again. I've just missed a two person show of his work here in Berlin, which is a great shame, but I'm very happy to become acquainted with his work again, not just the paintings and drawings, but the amazing poetry too. I'd had it in mind he was American, and on re-looking/reading it still feels of a more New York temperament than a London one. Anyway, many thanks for this article!

david robilliard

Reading about David and his life I can't believe it is over 20 years since he died,I knew David for a while around 1986-1987, he was a true friend, he used to tell me the truth about being 22, which I was way back then when I met him, and he was one of only two people I learned consciously from when I was a naive young homosexual man from the north, I think about him every now and then and his spirit is definitely still here, it's in me and it's in all the people who "got" what he had.
I know I will meet him again.

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